Outliers and American Vanguard Art book cover

Review — Outliers and American Vanguard Art

Outliers and American Vanguard Art, by Lynne Cooke. University of Chicago Press, Chicago, 412 pages, 450 color plates, 2018. ISBN: 978-0226522272. Hardcover, $65 Outliers and American Vanguard Art, filling several rooms at the National Gallery of Art, is a dauntingly large-scale show. And at five pounds, 412 pages, 450-plus illustrations and a 10 x12 form factor, its catalog is even more daunting. But, despite some excess imbrications and fixed subject positions, the art and the important points being made are plenty sufficient to interest non-academic readers. Curator Lynne Cooke’s core premise is that the story of modernism is woefully incomplete absent

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Ruth Norman, aka Uriel, the Unarius Society, with flying saucer models

Review — Jim Shaw: The Hidden World

Jim Shaw: The Hidden World, edited by Marc-Olivier Wahler. Koenig Books, London, 512 pages, 2014. ISBN: 978-3863355845. Hardcover. Jim Shaw’s collection of religious, political and cultural ephemera, published in 2014 as an exhibition catalog, makes for a great book, especially if your collecting interests align with Shaw’s, as mine not coincidentally do.

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Review — As Essential as Dreams: Self-Taught Art from the Collection of Stephanie and John Smither

As Essential as Dreams: Self-Taught Art from the Collection of Stephanie and John Smither, by Michelle White, with contributions by Lynne Adele, Brooke Davis Anderson, Haley Berkman, David Breslin, Víctor M. Espinosa, William Fagaly, Edward M. Gómez, Jo Farb Hernández, Lee Kogan, Colin Rhodes and Leslie Umberger. The Menil Collection, Houston, 112 pages, 114 color illustrations, 2016. ISBN: 9780300218411. Hardcover, $45. As Essential as Dreams could easily have been another routine entry in a long line of vanity art projects-exhibits of personal collections, ideally at prestige museums, with catalogs just weighty enough to prove the collectors’ good taste and sound

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Outsider Art: Visionary Worlds and Trauma book cover

Review — Outsider Art: Visionary Worlds and Trauma

Outsider Art: Visionary Worlds and Trauma, by Daniel Wojcik. University Press of Mississippi, Jackson, MS, 276 pages, 174 color illustrations, 2016. ISBN: 978-1496808066. Hardcover, $45 Can we agree that the art still sometimes known as outsider is much more interesting than what to call it? It might seem a simple enough proposition, yet arguments over the label continue to distract from the art, even among those who consider the debate mostly fruitless. Daniel Wojcik’s book is a case in point. When it’s good, it’s very good, providing sensitive, thoughful accounts of the art and its creators, with real insights into

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Bricked-in door within a bigger bricked-in door

Thomasson: The Life-Changing Hyperart

Hyperart: Thomasson, by Akasegawa Genpei. Kaya Press, 416 pages, 2010. ISBN: 978-1885030467. Paperback, $17.95. Why did it take me half a dozen years to discover this life-changing book, introducing a concept that fundamentally enriches my relationship to the built environment? The idea is the Thomasson, proposed as a form of “hyperart.”

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Review: California Crazy and Beyond: Roadside Vernacular Architecture

California Crazy and Beyond: Roadside Vernacular Architecture by Jim Heimann My rating: 5 of 5 stars 1980’s California Crazy was one of the early gospels for roadside art enthusiasts, documenting dozens of the state’s wonderful theme buildings of the early 20th century, from giant donuts to miniature sphinxes. Author Jim Heimann updated the book in 2001 with California Crazy and Beyond. The old version was presented as a logbook, and in some cases the images are larger. The new volume is redesigned as a more conventional picture book, with lots of additional pictures and a great deal more writing. Both

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Reviews: Unpacking Dubuffet’s Legacy

From Art Brut to Art without Boundaries: A Century of Fascination through the Eyes of Hans Prinzhorn, Jean Dubuffet and Harald Szeemann, by Carine Fol. Skira, Milan, 192 pages, 80 color illustrations, 2015. ISBN: 978-8-8572-2748-1. Paperback, $45 Art Brut in America: The Incursion of Jean Dubuffet, by Valérie Rousseau with a foreword by Anne-Imelda Radice and contributions from Jean Dubuffet, Sarah Lombardi, Kent Minturn and Jill Shaw. American Folk Art Museum, New York, 248 pages, 142 illustrations, 2016. ISBN: 978-0-9121-6126-6. Paperback, $45 Jean Dubuffet – inventor of art brut, important painter, master collector and connoisseur, exploiter, radical, crank. For obvious reasons

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Review: Ray Yoshida’s Museum Of Extraordinary Values

Ray Yoshida’s Museum Of Extraordinary Values by Karen Patterson My rating: 5 of 5 stars I’ve had the privilege of seeing Ray Yoshida’s art collection only twice, the first time in 1994 when I was co-curating a show of bottle-cap art for Chicago’s Intuit. Ray was gracious and loaned some pieces. His collection was spectacular, but tellingly, it did not seem out of the ordinary. If it was finer than many I had seen (my own included), it was not fundamentally different in style and approach. The mix of Maxwell Street flea-market finds with masterpieces is a hallmark of the

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Family Circus book cover

Review: The Family Circus: Daily and Sunday Comics, 1962-63

The Family Circus: Daily and Sunday Comics, 1962-63 by Bil Keane My rating: 5 of 5 stars I liked Peanuts as a kid but I loved Family Circus. Where Charles Schulz used his kids to make universal points, Bil Keane tried to be about real kids and real parents. It was a chronicle of post-war suburban life, and I could relate. It also was probably the greatest source of insight I had into the parental point of view (well, along with Dave Berg’s The Lighter Side comics in Mad Magazine, with had some similarities to Circus in style and point

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