Among the most stunning features of Howard Finster’s Paradise Garden in Summerville, Georgia, are its sidewalks. Some bear representational images of buildings, others are abstract aggregations of potsherds. Some bear text messages, others are virtual encyclopedias of Finster’s tools. These mosaic ribbons threading through the garden are a potent representation of how his creativity found expression in every aspect of the environment around him.
Continue reading
Pasaquan, one of the world’s great art sites, lies tucked away in rural west central Georgia, near the little town of Buena Vista. Pasquan was the creation of Eddie Owens Martin, a local boy who went away to live the low life in New York City (by his own account), but came back and created a masterpiece. That Martin was a bit of a crackpot is hard to deny. A fortune-telling ex-street-hustler, he created a personal religion, enshrined himself as a saint and turned his family farm into a holy place. The strength of his vision is so great, though,
Continue readingA brief swing through Milwaukee is enough to turn up some fine examples of roadside art.
Continue reading“John Baeder’s Road Well Taken,” by Jay Williams, Vendome Press, 272 pages, 300 color and b&w illustrations, 2015. 978-0865653191. Hard cover $45 John Baeder is legendary among roadside architecture enthusiasts for Diners,” his book of photorealistic diner paintings that turned out to be one of the most culturally influential publications of the 1970s. Baeder, the subject of a new biography by art historian and curator Jay Williams, appreciated 20th century roadsides and the buildings that populated them before they became old, when they were just ugly rather than a source of popular nostalgia.Widespread fascination with highways like Route 66 and
Continue reading
Abstraction occurs all over. Can you guess where these abstract images are from? Click on the individual images below this group to find out.
Continue reading
Chicago’s Southeast Side easily looks like a wasteland to drivers taking the Chicago Skyway as the shortest, though most expensive, path to get from the city to Michigan. But of course there are glimpses of a more interesting reality. The most obvious are the dramatic railroad bridges you see as you cross the Calumet River near 95th Street. They are some of Chicago’s finest, and always the best part of a Skyway trip. But if you get off the expressway you can find great examples of the vernacular art that lines most of the Chicago area’s off-the-beaten-track commercial districts.
Continue readingCamilo Jose Vergara brings a fine photographic eye, a sociologist’s curiosity and expertise, and tremendous commitment to his explorations of cities, their decay and their resilience. This study of Harlem is most enlightening.
Continue readingChicago is home to the greatest collection of outdoor stone carvings in urban America. Generations of beach-going carvers whiling away the hours left their marks on huge limestone blocks installed during the Depression to improve and protect the city’s park-lined lakefront. Many of these anonymous carvings have been destroyed as part of more recent anti-erosion projects. But the stretch of shoreline between Bryn Mawr and Montrose Avenues still boasts dozens of these small wonders — animals, bathing beauties, presidents, deities, buildings and, of course, initials, names and eternal professions of love. It’s the best public art that no one sees. They’re
Continue readingThe vibrant visual environment created by food trucks on the National Mall in Washington, D.C., is a longtime favorite at Interesting Ideas. These photos of this vernacular art experience are from our third session there, in August 2015. You can also see some glorious details at Food Truck Visions: Art of Street Food, D.C. . See our existing National Mall food truck gallery.
Continue readingThis is one of those “why didn’t I think of that” books, or more accurately, “I kind of thought of that but never got around to doing it” books. Doug Rickard travels the country via Google Street View and creates a virtual street photography from the massive library of automatically generated images. Rickard gravitates to images of more or less distressed locations that include people, which means he is drawing from a small percentage of available pictures. I’m impressed with the patience this must require. As the book notes, his approach lets him show places he’s never been and would
Continue reading