Grotto of the Redemption entryway

Grotto of the Redemption — Redemptive Greatness

Father Paul Dobberstein’s Grotto of the Redemption in West Bend, Iowa, is on the way to nowhere, but the right way to go: It’s one of the most spectacular places in the world. Dobberstein was a parish priest with a vision, and the decades he spent fulfilling that vision paid off. For that we should be grateful not only to Dobberstein, but to the parishioners who tolerated and supported his obsession, which in turn helped spark similarly over-the-top constructions all over the upper Midwest. The grotto includes a number of mini-grottos and fountains as well as an avenue lined with

Continue reading
Father-Paul-Dobbersteins-Fays-Fountain-Humboldt-Iowa.-1918-restored-2011

Fay’s Fountain — Vernacular in the Park

Another Iowa vernacular masterpiece built by Father Paul Dobberstein, creator of the Grotto of the Redemption. Dobberstein was commissioned to built this memorial, officially called the Liberty Fountain, in honor of Fay Hessian, a young girl who died from tuberculosis in 1912. The fountain was dedicated in 1918 and restored in 2011. It sits in a park in Humboldt, Iowa, with organic shapes and encrustations that make it unlike any city park fountain I’ve ever seen. Back to the Grotto of the Redemption

Continue reading
Father-Paul-Dobbersteins-Crucifixion-Group-St.-Joseph-Cemetery-Wesley-Iowa.-1920s

The Crucifixion Group: More Grotto Greatness

In an out-of-the-way cemetery in Wesley, Iowa, you can find Father Paul Dobberstein’s Crucifixion Group, a mini-grotto unto itself. It’s another example of the decorative impulse filling every available space with something that looks cool. And like the big grotto a few towns away, it provides an effective setting for the underlying religious message. Back to the Grotto of the Redemption

Continue reading
Bricked-in door within a bigger bricked-in door

Thomasson: The Life-Changing Hyperart

Hyperart: Thomasson, by Akasegawa Genpei. Kaya Press, 416 pages, 2010. ISBN: 978-1885030467. Paperback, $17.95. Why did it take me half a dozen years to discover this life-changing book, introducing a concept that fundamentally enriches my relationship to the built environment? The idea is the Thomasson, proposed as a form of “hyperart.”

Continue reading

Review: California Crazy and Beyond: Roadside Vernacular Architecture

California Crazy and Beyond: Roadside Vernacular Architecture by Jim Heimann My rating: 5 of 5 stars 1980’s California Crazy was one of the early gospels for roadside art enthusiasts, documenting dozens of the state’s wonderful theme buildings of the early 20th century, from giant donuts to miniature sphinxes. Author Jim Heimann updated the book in 2001 with California Crazy and Beyond. The old version was presented as a logbook, and in some cases the images are larger. The new volume is redesigned as a more conventional picture book, with lots of additional pictures and a great deal more writing. Both

Continue reading
Miamis-Bottle-Cap-Inn-before-an-addition-on-the-right-side

Bottle Cap Valhalla: The Bottle Cap Inn

Unsealed: Bottle Cap Art | The Woolseys | The Patent Drawings | How To | The Race Question| The Blockbuster The Galleries: Masterworks | Troops | Signed | Flashers | Other Shapes | Mine | Bottle Cap Inn | Two Monuments Joe Wiser’s Bottle Cap Inn in Miami was featured in Ripley’s Believe It Or Not, but more importantly it was a triumph of an obsessive personal vision. Fortunately, many interior views were preserved in a series of postcards and press photos. The bar was created in the late 1930s by Joe Wiser, said to be a disabled World War I veteran. He choose to decorate with the most available

Continue reading

Howard Finster Time!

Experience Howard Finster’s Paradise Garden, site of a one-person creative flowering like few the world has ever seen. Also, see the Sidewalks of Paradise Garden. Read a review of Norman Girardot’s enlightening exploration of Finster’s art and theology. Visit my archival Howard Finster page.

Continue reading

Review: Ray Yoshida’s Museum Of Extraordinary Values

Ray Yoshida’s Museum Of Extraordinary Values by Karen Patterson My rating: 5 of 5 stars I’ve had the privilege of seeing Ray Yoshida’s art collection only twice, the first time in 1994 when I was co-curating a show of bottle-cap art for Chicago’s Intuit. Ray was gracious and loaned some pieces. His collection was spectacular, but tellingly, it did not seem out of the ordinary. If it was finer than many I had seen (my own included), it was not fundamentally different in style and approach. The mix of Maxwell Street flea-market finds with masterpieces is a hallmark of the

Continue reading