Outsider Art Archives - Page 4 of 8

Outsider Art: Visionary Worlds and Trauma book cover

March 1, 2018 Bill Swislow

Review — Outsider Art: Visionary Worlds and Trauma

Outsider Art: Visionary Worlds and Trauma, by Daniel Wojcik. University Press of Mississippi, Jackson, MS, 276 pages, 174 color illustrations, 2016. ISBN: 978-1496808066. Hardcover, $45 Can we agree that the art still sometimes known as outsider is much more interesting than what to call it? It might seem a simple enough proposition, yet arguments over the label continue to distract from the art, even among those who consider the debate mostly fruitless. Daniel Wojcik’s book is a case in point. When it’s good, it’s very good, providing sensitive, thoughful accounts of the art and its creators, with real insights into

The-Forevertron-built-by-Tom-Every-Dr.-Evermore-south-of-Baraboo-Wisconsin

May 20, 2017 Bill Swislow

The Forevertron Forever — Genius by the Roadside

North of Madison and just south of Baraboo, Wisconsin, is one of the country’s great roadside attractions, Dr. Evermor’s Forevertron. The Forevertron is a steampunk paradise, with a Victorian look in service of science-fiction vision. Creator Tom Every, born in 1938, has experience as a farmhand, salvager, construction worker and architect’s assistant, according to Leslie Umberger’s Sublime Spaces and Visionary Worlds catalog. Every also helped to fabricate attractions at The House on the Rock, Wisconsin’s foremost tourist trap and a whole other story. He has involved explanations for the work, but the focus here is its visual impact. The site

Miamis-Bottle-Cap-Inn-before-an-addition-on-the-right-side

March 11, 2017 Bill Swislow

Bottle Cap Valhalla: The Bottle Cap Inn

Unsealed: Bottle Cap Art | The Woolseys | The Patent Drawings | How To | The Race Question| The Blockbuster The Galleries: Masterworks | Troops | Signed | Flashers | Other Shapes | Mine | Bottle Cap Inn | Two Monuments Joe Wiser’s Bottle Cap Inn in Miami was featured in Ripley’s Believe It Or Not, but more importantly it was a triumph of an obsessive personal vision. Fortunately, many interior views were preserved in a series of postcards and press photos. The bar was created in the 1930s by Joe Wiser, said to be a disabled World War I veteran. He choose to decorate with the most available ornamentation,

December 11, 2016 Bill Swislow

Howard Finster Time!

Experience Howard Finster’s Paradise Garden, site of a one-person creative flowering like few the world has ever seen. Also, see the Sidewalks of Paradise Garden. Read a review of Norman Girardot’s enlightening exploration of Finster’s art and theology. Visit my archival Howard Finster page.

Buildings embedded in the sidewalk at Howard Finster's Paradise Garden, circa 1990

November 30, 2016 Bill Swislow

The Sidewalks of Paradise Garden

Among the most stunning features of Howard Finster’s Paradise Garden in Summerville, Georgia, are its sidewalks. Some bear representational images of buildings, others are abstract aggregations of potsherds. Some bear text messages, others are virtual encyclopedias of Finster’s tools. These mosaic ribbons threading through the garden are a potent representation of how his creativity found expression in every aspect of the environment around him.

Side-entrance-to-the-compound-St.-Eoms-Pasaquan-2016

November 22, 2016 Bill Swislow

Inside The Land of Pasaquan

Pasaquan, one of the world’s great art sites, lies tucked away in rural west central Georgia, near the little town of Buena Vista. Pasquan was the creation of Eddie Owens Martin, a local boy who went away to live the low life in New York City (by his own account), but came back and created a masterpiece. That Martin was a bit of a crackpot is hard to deny. A fortune-telling ex-street-hustler, he created a personal religion, enshrined himself as a saint and turned his family farm into a holy place. The strength of his vision is so great, though,

July 17, 2016 Bill Swislow

Reviews: Unpacking Dubuffet’s Legacy

From Art Brut to Art without Boundaries: A Century of Fascination through the Eyes of Hans Prinzhorn, Jean Dubuffet and Harald Szeemann, by Carine Fol. Skira, Milan, 192 pages, 80 color illustrations, 2015. ISBN: 978-8-8572-2748-1. Paperback, $45 Art Brut in America: The Incursion of Jean Dubuffet, by Valérie Rousseau with a foreword by Anne-Imelda Radice and contributions from Jean Dubuffet, Sarah Lombardi, Kent Minturn and Jill Shaw. American Folk Art Museum, New York, 248 pages, 142 illustrations, 2016. ISBN: 978-0-9121-6126-6. Paperback, $45 Jean Dubuffet – inventor of art brut, important painter, master collector and connoisseur, exploiter, radical, crank. For obvious reasons

May 9, 2016 Bill Swislow

Review: Ray Yoshida’s Museum Of Extraordinary Values

Ray Yoshida’s Museum Of Extraordinary Values by Karen Patterson My rating: 5 of 5 stars I’ve had the privilege of seeing Ray Yoshida’s art collection only twice, the first time in 1994 when I was co-curating a show of bottle-cap art for Chicago’s Intuit. Ray was gracious and loaned some pieces. His collection was spectacular, but tellingly, it did not seem out of the ordinary. If it was finer than many I had seen (my own included), it was not fundamentally different in style and approach. The mix of Maxwell Street flea-market finds with masterpieces is a hallmark of the

January 20, 2016 Bill Swislow

Review: Martín Ramírez: Framing His Life and Art

Martín Ramírez: Framing His Life and Art by Víctor M. Espinosa My rating: 5 of 5 stars Victor Espinosa’s long-awaited study of Martin Ramirez — for most of his life an unknown inmate of an obscure California asylum but now an art-world star — joins the 5 or 10 most important books yet published on the subject of self-taught and outsider art. (Read my full review). View all my reviews

December 27, 2015 Bill Swislow

Review: Martin Ramírez: Framing His Life and Art

Martin Ramírez: Framing His Life and Art, by Victor M. Espinosa. University of Texas Press, Austin, 388 pages, 24 color photos and 54 b/w, 2015. ISBN 978-1-4773-0775-5. Hard cover, $40 Victor Espinosa’s long-awaited study of Martin Ramirez — for most of his life an unknown inmate of an obscure California asylum but now an art-world star — joins the 5 or 10 most important books yet published on the subject of self-taught and outsider art. It is the definitive treatment of a universally acknowledged self-taught master and is likely to remain definitive given the rigor of Victor Espinosa’s research. It