I had to share these two examples of stainless steel sculpture that came to me via some spam mail (“I just browsed your website and find some items are similar to our products.”) I wish I had these kinds of items on my site. Thank you Alisa Chen at Wanfeng (Xiamen) Stone Industry & Trade Co., Ltd. (http://www.sculpturespaces.com/english/home.asp).
Although the glory days of fairground art passed with the last of the true sideshows, county fairs and carnivals still offer bits of visual interest even if most of the imagery is blandly commercial. These are from the Lake and Kane County Fairs in Illinois, the Wisconsin State Fair in Milwaukee and the Rosholt Fair in Wisconsin. Plus, a bonus image from the gloriously named Temple of Food in Amstersdam.
Home-Made: Contemporary Russian Folk Artifacts, by Vladimir Arkhipov, Fuel Publishing, 304 pages, 180 color pictures, 2006. ISBN 0-9550061-3-9
Folk Archive: Contemporary Popular Art from the UK, by Jeremy Deller and Alan Kane, Book Works, 158 pages, 2005. ISBN 1 870699-81-5
Two recent books from abroad attempt to document the spontaneous art making of ordinary people, one broadly and one eccentrically.
Folk Archives, from Britain, covers a wide range of vernacular expression, from protest posters to shop signs. Home Made, also published in Britain, takes a certain kind of ingenuity as its subject, specifically creative responses to the acute scarcity of consumer goods in the Soviet Union and its aftermath.
Folk Archives collects the more obviously artistic material, including a number of conventional (if sometimes clearly self-taught) paintings and sculpture, where the artifacts of Home-Made are far more prosaic – flashlights, screwdrivers and floor lamps, among other things.
While the bodies of work in some instances feel familiar (hand-painted shop signs from Britain, a cloth toy animal from the Soviet Union), in others they seem rather alien. The British protest art doesn’t track to any living tradition in the U.S., nor do the makeshift knives and forks from Russia. As hand-crafted utilitarian objects, though, the Russian pieces resonate with traditional folk craft, and like those objects they occasionally attain aesthetic distinction. Home Made makes a strong case that even the most mundane of these objects convey a message about the society and the people who made them.
Coming Home! Self-Taught Artists, the Bible and the American South, edited by Carol Crown, with essays by Paul Harvey, Erika Doss, Hal Fulmer, Babatunde Lawal, Charles Reagan Wilson and N.J. Girardot, Art Museum of the University of Memphis with the University of Mississippi Press, 215 pages, 122 color plates, other color and b&w illustrations, 2004. ISBN 1-57806-659-X
Stereotypes have two inherent flaws: They often state the obvious and, when too generally applied, they become false. But they also are inescapable because, in the proper context, they are true.
Carol Crown’s exhibition and catalog, Coming Home! Self-Taught Artists, the Bible and the American South, can’t help but draw on Bible Belt stereotypes because they reflect a big slice of Southern reality. There is a lot more substance here than in many folk art theme shows, since the Bible really is the force behind a great deal of self-taught art.
But at the same time, the point that self-taught art of the South is full of biblical references is, because inherently obvious, not inherently interesting. It is often the job of scholars to state the obvious for the record, though, and the essays in this catalog are all scholarly in nature. That’s a virtue, since it grounds the book in actual research. A casual reader may not want to plow through every essay, but Crown’s text gives a good summary of evangelical eschatology (that’s study of the end times) and Southern Protestantism. Charles Reagan Wilson explores the religious underpinnings of the art while setting it in a broader context of Southern creativity in general. And N.J. Girardot gives special attention to the most dramatic of religiously oriented artists, the builders of monumental environments.
How the Other Half Worships, by Camilo Jose Vergara, Rutgers University Press, 286 pages, 2005. ISBN 978-0-8135-3682-8
How The Other Half Worships celebrates one of the great engines of true vernacular expression – religion. The subject is inner-city churches, with an emphasis on the storefront variety.
Camilo Jose Vergara has spent years visiting and photographing urban churches and their people, fascinated by their architecture and decoration, by what people do in them and by what they do for people.
The book is built around his photographs, but it also gives the church folk a direct voice. The generous quotations from pastors and parishioners provide a good flavor for their religious language, although the book cries out for one of those supplemental audio CDs. The sounds of their services are a missing dimension.
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I’ve rebuilt the Gyros Project to make the pages more consistent and present some more interesting groupings. It’s still 246 of the best gyros pictures anywhere.
Check out a bunch of great new signs from coast to coast.
Today a marketing research video showed a respondent talking about her laptop. Her affection was so palpable that, as the analysis pointed out, it looked like she was ready to embrace it.
And for good reason. It truly is not just a unit for computing. It’s the place where she keep so much that is important by any fair measure — probably all the pictures of who she loves and where she’s been, all the music she listens to, all the phone numbers she calls. It’s got all the letters she’s written, and most of the answers. It’s where she stores her ideas, if she has any. It projects her movies. It’s got the basic tools she uses for running her life. It’s liable to be full of jokes, things to see and tasks to do.
What’s amazing isn’t that the computer matters to her, it’s that she sees it at all. This is a brief historic moment when the technology is good enough to bring all that stuff together, but new enough that anyone notices. In another few years the laptop — or the device that replaces it — will just be a machine, just so much junk, the way the desktop PC or the Walkman are just things we use, amazing as they were in their time.
The firm that did the research really should preserve the clip for a future museum of technical progress. It’s always striking to see how the things that are utterly normal to us today meant something totally different in another context.
I should admit that I sometimes get a flash of that same feeling about my laptop, as wheezy a solution as it is for holding much of what I treasure. While it still matters, I suppose I should get myself one that I too can treasure, if only for a few moments before it fades into the routines of just so much stuff.
The creativity on display from Florida to Chicago can’t be beat. There are two new pages of roadside signage, the second devoted to Albany, Georgia, a great example of how lean times can preserve a certain slice of our visual culture. 
Yes, the Georgian doorways are charming, especially given that the Georgian facades are otherwise remarkably spare. These buildings could be 20th Century low-rent apartment blocks if not for the massive chimneys and lovely doors. That makes the prominent addition of burglar alarms even more striking, with the alarm boxes typically placed immediately adjacent to the door.
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