Another Iowa vernacular masterpiece built by Father Paul Dobberstein, creator of the Grotto of the Redemption. Dobberstein was commissioned to built this memorial, officially called the Liberty Fountain, in honor of Fay Hessian, a young girl who died from tuberculosis in 1912. The fountain was dedicated in 1918 and restored in 2011. It sits in a park in Humboldt, Iowa, with organic shapes and encrustations that make it unlike any city park fountain I’ve ever seen.
If Paul Dobberstein’s Grotto of the Redemption is out of the way, his War Memorial is nearly inaccessible. You have to follow gravel roads to what used to be the site of a town called Rolfe to find this modest structure sitting in the middle of a small grassy field.
In an out-of-the-way cemetery in Wesley, Iowa, you can find Father Paul Dobberstein’s Crucifixion Group, a mini-grotto unto itself. It’s another example of the decorative impulse filling every available space with something that looks cool. And like the big grotto a few towns away, it provides an effective setting for the underlying religious message.
Selling hundreds of LPs next Saturday, Sept. 9, at the big annual Lakewood-Balmoral neighborhood yard sale. 9-4 p.m. rain or shine. Prices shown, or best offer. Contact me early with offers for 10 or more. Or find me Saturday on the 5500 block of North Magnolia, Chicago. Also contact me if you are interested in 45s and 78s. I have hundreds of those for sale as well — punk, r&b, country, rockabilly, etc.
Here are some of the coolest stone carvings and paintings from Chicago’s Lake Michigan shoreline.
The final date in each caption reflects the year the photograph was taken. All stone and concrete paintings photographed in 2016 and 2017 were still extant as of mid-2017. Pieces south of Montrose Harbor photographed before that time are gone except those specifically noted as still existing. Pieces located between Belmont and Diversey Harbors and photographed prior to 2015 are gone, unless otherwise noted. Pieces from Montrose Harbor up to Bryn Mawr are all extant, other than paintings and drawings that may have weathered away. Pieces without a specified location are assumed to be lost.
The Lakefront Art Galleries
Lucy Sparrow makes deeply felt art, literally. She creates facsimiles of real objects in felt, and does so on a massive scale. The current example, a fully stocked all-felt convenience store, opened June 5 in New York and will continue for four weeks.
The individual items — available for sale, of course — are each a treat in themselves. When they fill the shelves and fixtures of a shop, the colors and cultural resonances are wonderful. Sparrow, who hails from Bath, England, clearly wants to delight her audience with good feelings, but she also has some social commentary in mind.
“I want the work to make people think about the loss of community spaces when these small corner shops disappear; to remind them how valuable these corner shops really are and the color they bring to our lives,” she says on her web site.
It’s not exactly a blast at consumerism, but there is a critique lurking in there as well as a commentary on the corner store — an important fixture in many lives. Given that we’re all consumers and that most of us happily consume items exactly like these, a gentle critique might be more appropriate than a scathing assault.
The shop is open 8 to 8 through June 30 at 69 Little West 12th Street. Lucy told me she plans to be there every day. I highly recommend a visit.
Here’s her web site: https://www.sewyoursoul.co.uk
North of Madison and just south of Baraboo, Wisconsin, is one of the country’s great roadside attractions, Dr. Evermor’s Forevertron.
The Forevertron is a steampunk paradise, with a Victorian look in service of science-fiction vision. Creator Tom Every, born in 1938, has experience as a farmhand, salvager, construction worker and architect’s assistant, according to Leslie Umberger’s Sublime Spaces and Visionary Worlds catalog. Every also helped to fabricate attractions at The House on the Rock, Wisconsin’s foremost tourist trap and a whole other story.
He has involved explanations for the work, but the focus here is its visual impact. The site includes not just the enormous Forevertron itself, but lots of other sculptures, some quite massive in their own right. Junk sculpture isn’t always my favorite, but Every brings a distinct personal vision to the materials that set his apart, not to mention the impact of seeing so many of them in one place. The complexity, imagination and even the science-fiction themes percolating up through the junk make the site a visual wonderland.
Here is a link to the official Web site.
131 hip-hop/rap records, mostly mid-1980s. Singles and albums. A few of the singles are 7 inch, as indicated. The rest are 12 inch. Generally original pressings in excellent condition. Most were bought new, played a few times and then stored. All are priced based on condition — probably near mint, though as I’m not a professional trader I’m reluctant to use official categories. $700 takes them all or a la carte as priced.
1. Afrika Bambaataa & James Brown: Unity $3
2. Anquette: Ghetto Style $7
3. Audio Two: Make It Funky (second original pressing) $7
4. Audio Two: What More Can I Say? (promo stamp, hype sticker and price tag) $10
5. B. Fats: Woppit $3
6. Big Daddy Kane: Get Into It $15
Why did it take me half a dozen years to discover this life-changing book, introducing a concept that fundamentally enriches my relationship to the built environment?
The idea is the Thomasson, proposed as a form of “hyperart.” Continue reading