This week I completed my decade-long record-digitization project, having ripped around 675 vinyl LPs, 150 78s and 1,100-plus 45s.
First record ripped, on Dec. 8, 2007: a 78 rpm disk of Milky White Way / Bread of Heaven by the Angelic Gospel Singers, followed by I Can’t Stand Myself When You Touch Me and several other vintage James Brown albums. Last record ripped, on May 19, 2018: A 7-inch record with uplifting public service announcements for young people from the Wayout project, circa 1980s. Immediately before that: three square-dance records complete with calls. I didn’t exactly save the best for last.
The process has given me a chance to revisit records I hadn’t touched in years, and some — especially 45s — I had never heard. There were many great discoveries among the old soul and R&B records I used to acquire by the stack at thrift stores and flea markets. Lots of obscure (and, it turns out, often valuable) Chicago soul recordings.
Now it’s all about disposal. These are the 612 45s that are Howard Brown thrift store bound. I have eBay aspirations for another 500 or so 45s. The thrift store records are fine musically, just not worth enough to bother selling. Of course there are still several boxes of LPs to be sold, and a few dozen 78s. So not totally finished with the vinyl/shellac.
Frank’s West Side Auto Parts, at Kedzie Avenue and 30th Street, is an art gallery unto itself. Plus, there are other great signs in its vicinity, including more auto parts art and other examples of vernacular creativity.
I’m joining with several other collectors for a two-day art sale Friday April 20 (5-8) and Saturday April 21 (11-5) at Intuit, 756 N. Milwaukee Ave., Chicago. The emphasis will be self-taught, folk and outsider art, but there will also be African masks, textiles, kitsch items, contemporary art and other interesting things — lots of cool stuff at very good prices. You can see a flier below, and photos of some of the things I’m planning to bring. It should be a fun event, and We’ll be donating 10% of our proceeds to Intuit.
While you’re at Intuit, we’ve got two great exhibits — the fabulous Stephen Warde Anderson in the back room and five great Wisconsin artists in the front. Plus upstairs will be the very popular Closet Clearance Sale offering new, vintage and gently-used clothing and accessories (more information at http://www.art.org/closet-clearance-2018).
Jim Shaw: The Hidden World, edited by Marc-Olivier Wahler. Koenig Books, London, 512 pages, 2014. ISBN: 978-3863355845. Hardcover.
Jim Shaw’s collection of religious, political and cultural ephemera, published in 2014 as an exhibition catalog, makes for a great book, especially if your collecting interests align with Shaw’s, as mine not coincidentally do. Continue reading
As Essential as Dreams: Self-Taught Art from the Collection of Stephanie and John Smither, by Michelle White, with contributions by Lynne Adele, Brooke Davis Anderson, Haley Berkman, David Breslin, Víctor M. Espinosa, William Fagaly, Edward M. Gómez, Jo Farb Hernández, Lee Kogan, Colin Rhodes and Leslie Umberger. The Menil Collection, Houston, 112 pages, 114 color illustrations, 2016. ISBN: 9780300218411. Hardcover, $45.
As Essential as Dreams could easily have been another routine entry in a long line of vanity art projects-exhibits of personal collections, ideally at prestige museums, with catalogs just weighty enough to prove the collectors’ good taste and sound artistic investment.
That’s not to say the shows can’t be fun to visit and worthily eye-opening. Indeed, the collections they feature seem to be maturing in sophistication and depth, while the rising profile of scholars is helping equalize the intellectual and physical heft of their catalogs.
The 2013 Great and Mighty Things exhibit at the Philadelphia Museum of Art was a breakthrough show from a personal collection, and 2016’s Stephanie and John Smither show represents another gratifyingly substantial exhibit mounted by a highly-respected mainstream museum, Houston’s Menil Collection. Reports say the show was impressive in person, even if smaller than the Philadelphia blockbuster.
Outsider Art: Visionary Worlds and Trauma, by Daniel Wojcik. University Press of Mississippi, Jackson, MS, 276 pages, 174 color illustrations, 2016. ISBN: 978-1496808066. Hardcover, $45
Can we agree that the art still sometimes known as outsider is much more interesting than what to call it? It might seem a simple enough proposition, yet arguments over the label continue to distract from the art, even among those who consider the debate mostly fruitless.
Daniel Wojcik’s book is a case in point. When it’s good, it’s very good, providing sensitive, thoughful accounts of the art and its creators, with real insights into the psychological, cultural and practical dimensions of their art making. Wojcik does consume a few too many precious pages diving into decades-old polemics, however, recounting the traditional indictment that charges the O word with elitism, exclusion and marginalization. Continue reading
It took a long time to get to the Ventures in my project to rip and sell a large vinyl collection. I left them for the end because, frankly, I wasn’t sure I could face listening to the hours of music my Ventures 24 albums contained.
These guys released some two dozen albums in the first half of the 1960s alone, and they must have been desperate for material. How else to explain why a song like Jimmy Crack Corn – a standby from everyone’s second or third music lesson — would wind up on Dance With The Ventures (also known as Twist Party Vol. 2 — itself a title that speaks volumes about the integrity of this group’s artistic vision).
It’s not that the Ventures were bad. In fact, it turned out I’ve enjoyed listening to the hours of instrumentals I ripped. But in their vast output it’s not always easy to find the kind of passion you expect in headlining musicians. And how could they be so unalterably square in a period when being hip was not that hard, something that Johnny Cash so ably demonstrated? Yes, I’m happy today that I can listen to their rendition of the Get Smart theme, but its existence speaks volumes about what the Ventures weren’t up to in the 1960s. Continue reading
To grasp the impact of the temples around Angkor Wat, think of Chartres. Chartres is wonderful — here you find a dozen-plus Chartres, all within 45 minutes of each other. The Cambodian temples are every bit as spectacular as their reputation would have you believe. Their massive scale, their finely crafted detail, their lovely jungle settings, their ruin and their restoration combine to make this one of the world’s great places.
Yes, it is very hot, and many of the sites are crowded with tourists. Some temples were probably over restored. But the architecture is compelling and the sculpture fascinating.
Visit the 10th century Pre Rup temple in Siem Reap, Cambodia.
Visit the 9th century Preah Ko temple in Siem Reap, Cambodia.