Review: Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys.

Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. by Viv Albertine My rating: 5 of 5 stars I came of age around the same time as Viv Albertine and I was drawn to punk, so this memoir was bound to resonate for me. Much as I appreciated punk’s exasperation with the state of both society and popular music, though, I was far too inhibited, and more to the point way too square, to be part of the scene. Albertine was very much in the thick of it, however — friend and bandmate of Sid Vicious pre-Sex Pistols, close to

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Review: John Baeder’s Road Well Taken

“John Baeder’s Road Well Taken,” by Jay Williams, Vendome Press, 272 pages, 300 color and b&w illustrations, 2015. 978-0865653191. Hard cover $45 John Baeder is legendary among roadside architecture enthusiasts for Diners,” his book of photorealistic diner paintings that turned out to be one of the most culturally influential publications of the 1970s. Baeder, the subject of a new biography by art historian and curator Jay Williams, appreciated 20th century roadsides and the buildings that populated them before they became old, when they were just ugly rather than a source of popular nostalgia.Widespread fascination with highways like Route 66 and

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Short Review: Sue Williams

An important book about an important artist. I confess I’m biased, since I collected Sue Williams’ art early in her career. But that art’s development, in its formal variety and conceptual complexity, has demonstrated a deepening of her talent and intelligence. This book is thoroughly illustrated, of course, and the essayists do a creditable job keeping up with the evolution it shows, especially the artist’s shift from explicit messages literally written into the work to an embrace of abstraction that is stylistically powerful and still intellectually challenging. You can find it here on Amazon.

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Review: Martín Ramírez: Framing His Life and Art

Martín Ramírez: Framing His Life and Art by Víctor M. Espinosa My rating: 5 of 5 stars Victor Espinosa’s long-awaited study of Martin Ramirez — for most of his life an unknown inmate of an obscure California asylum but now an art-world star — joins the 5 or 10 most important books yet published on the subject of self-taught and outsider art. (Read my full review). View all my reviews

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Short Review: Yokai Museum (Supernatural Beings of Japan)

Yokai Museum: The Art of Japanese Supernatural Beings from Yumoto Koichi Collection is a compendium of Japanese demons and ghosts as visualized over 300 or so years up through the mid-20th Century. That cut-off period is important to those of us who love Japanese science fiction, especially the crazy monsters spawned by shows like Ultraman and made into some of the weirdest toys ever. The resonance of these Yokai with Pokeman is also strong, if not stronger. Although this book doesn’t get into those topics, and it seems not written for a U.S. audience, just looking at the pictures will

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Review: Martin Ramírez: Framing His Life and Art

Martin Ramírez: Framing His Life and Art, by Victor M. Espinosa. University of Texas Press, Austin, 388 pages, 24 color photos and 54 b/w, 2015. ISBN 978-1-4773-0775-5. Hard cover, $40 Victor Espinosa’s long-awaited study of Martin Ramirez — for most of his life an unknown inmate of an obscure California asylum but now an art-world star — joins the 5 or 10 most important books yet published on the subject of self-taught and outsider art. It is the definitive treatment of a universally acknowledged self-taught master and is likely to remain definitive given the rigor of Victor Espinosa’s research. It

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Book Review: Envisioning Howard Finster

Envisioning Howard Finster: The Religion and Art of a Stranger from Another World, by Norman J. Girardot, University of California Press, 304 pages, 16 color plates and 20 b/w illustrations, 2015. ISBN 978-0520261105. Paperback, $29.95 The prolific southern visionary Howard Finster was something of an enigma. How much of his colorful output was a matter of vision vs. showmanship? How important are his paintings vs. his Paradise Garden environment? Crazy, or crazy like a fox? The flood of work (some 46,000 numbered pieces, nearly all with spiritual messages) and his loquacious sermonizing raise another key question: Are we obligated to

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