Review: Rosie Lee Tompkins: A Retrospective

Rosie Lee Tompkins: A Retrospective, by Elaine Y. Yau, Lawrence Rinder and Horace Ballard. University of California, Berkeley Art Museum and Pacific Film Archive, 175 pages 2020. ISBN: 9780983881384. Paperback, $39.95 Here’s another pandemic art disappointment—the grand exhibition of Rosie Lee Tompkins’ quilts at the Berkeley Art Museum and Pacific Film Archive (BAMPFA). Like Elijah Pierce’s carvings at the Barnes Foundation, these quilts clearly need to be experienced in person to get a true sense of their scale and material impact. Tompkins is widely praised as the greatest quilter of her time, certainly up there with the women of Gees

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Review: Prisoners’ Inventions

Prisoners’ Inventions, written and illustrated by Angelo in collaboration with Temporary Services. Half Letter Press, Chicago, 200 pages, 2020. ISBN: 9781732051423. Paperback, $20 If you’re looking for conventional prison art, this book isn’t the place. No warrior princesses or hands holding bars here. But if you are interested in the incredible creativity that incarceration can generate, this book is a good place to start. In the first instance, there is the creativity of “Angelo,” the one-time California prison inmate who made the drawings featured here and who is responsible for most of the text. His sketches are both interesting and

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Hyde Park Lakefront Stone Carvings Under Threat

Chicago’s lakefront is lined with thousands of stone carvings, created by mostly anonymous makers over the course of the 20th century. One of its most carving-rich areas is also its most endangered. Hundreds, probably thousands, of carvings have been lost over the last 20 years as the city, in cooperation with the Army Corps of Engineers, has reconstructed its shoreline to prevent erosion and flooding. This has meant removal of limestone blocks once used to armor the shore — and thus also the carvings made on many of those same blocks. Now the city is moving ahead with plans to

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Morgan Shoal Stone Carvings: Imminent Danger

The hundreds of stone carvings at Morgan Shoal, between 45th and 50th Street in Chicago’s Hyde Park neighborhood, are in imminent danger of being lost. This section of lakefront is in terrible condition, with the many of the old rocks topsy turvy and falling into the lake. The city is following up emergency measures to reduce flooding with an initiative to fund its framework plan for complete reconstruction. The plan has appealing elements, including creation of additional parkland. However, it makes no reference to the carvings or their preservation, which is no surprise considering that public awareness of this artwork

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Promontory Point Stone Carvings Again Threatened

In the early 2000s the Hyde Park community succeeded (with then-Senator Obama’s help) in blocking a government plan to strip away the quarried step stones around Chicago’s Promontory Point and replace them with a new concrete-and-steel revetment. That important act of preservation incidentally saved the many stone carvings that reside on those blocks — several dozen of the thousands of the carvings that line Chicago’s waterfront. The concrete-and-steel approach to shoreline reconstruction was nonetheless applied from just north of Promontory Point up to Montrose Harbor. The “shoreline protection project” demolished several miles worth of the old step stones along with

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The Cross Garden

W.C. Rice’s cross garden art environment in Prattville, Alabama, near Montgomery, was one of the nation’s fiercest roadside views. The drift of his message was crystal clear, although the specifics were sometimes arcane. Rice, whose cross fixation extended to the large wooden one he wore around his neck, was said to be quite friendly to visitors. His signs and crosses stretched along two sides of the road. On one side was a shed that served as a chapel. On the other the signs and crosses filled a large vacant lot below a hillside trailer park that Rice owned. The messages

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Review: Gatecrashers

Gatecrashers: The Rise of the Self-Taught Artist in America, by Katherine Jentleson, University of California Press, 264 pages, 53 color photographs, 18 b/w illustrations, 2020. ISBN: 9780520303423. Hardcover, $50 Gatecrashers might best be described in terms more typical of a page-turner novel than an art book—it’s a story of tragedy and triumph, of drama and historic happenings. The overarching tragedy is the opportunity lost in the 1930s to open up the definition of art to myriad forms of creativity beyond the academy. That process seemed to be gaining momentum until it was precipitously halted in the early 1940s. It only restarted in earnest

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Review: Photo/Brut

Photo / Brut, by Bruno Decharme and others, Flammarion in collaboration with the American Folk Art Museum, New York, and abcd, Paris, 320 pages, 2020. ISBN: 978-2080204325. Hardcover, $55 Among the varieties of art brut creation, photography has historically received limited attention. A newly extensive, if not definitive, exploration built around the great ABCD art brut collection of Bruno Decharme takes some steps to remedy that situation. Photo / Brut, the exhibit and catalog, boasts impressive scale, and Decharme’s deep art brut experience gives him standing to help define what art brut photography might mean. That’s not exactly what this

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A Chicago Nativity In Spectacular Fashion

I’m as guilty as anyone of overusing the concept of “greatest ever,” but this nativity scene is a legitimate candidate for the title. A full-blown, if temporary, art environment, it is the work of retired fashion designer and cosmetologist Jim McCall. You can read about McCall and the site and see more photos in this Block Club Chicago story. More art environments here.

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Whirligig Gardens: Make The Wind Speak

Wind power today usually means alternative energy, but there are those who harness it as a source of personal expression: The whirligig makers. Vollis Simpson ran a machine shop, did heavy equipment repair and was involved in moving houses. In retirement, he started tinkering with odd parts he had lying around. And he started making whirligigs. Big ones. His original whirligig park, in an out-of-the-way field in out-of-the-way Lucama, North Carolina, was the world’s most spectacular concentration of these wind machines. Simpson died in 2013, but the whirligigs were preserved and relocated to a dedicated park in nearby Wilson, where they

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