My Weekly Credo
Posted in Credos on May 19th, 2008But the surest way to make something disappear is to start looking for it.
But the surest way to make something disappear is to start looking for it.
If you actually want to make use of an object, you have to keep it visible.
Sublime Spaces And Visionary Worlds: Built Environments Of Vernacular Artists, By Leslie Umberger, Erika Doss, Lisa Stone, Jane Bianco and Ruth Kohler. Princeton Architectural Press, 424 pages, 650 color plates and 100 black and white illustrations, 2007. ISBN 1-56898-728-5

This is a blockbuster catalog for a blockbuster show, and perhaps the best book yet published on the subject of art environments.
The structure is conventional—a handful of essays bookend a set of illustrated biographical vignettes (22 in this case, with exceptionally rich photo reproduction). But intelligence and serious intent distinguish this effort from the usual run of coffee table books. The straightforward biography focuses on understanding how the environments and their artists developed, which is especially relevant in a context where the work’s physical evolution illuminates both its meaning and its current state of being. This is a non-incidental consideration for nearly every one of these sites, given their exposure to the elements and to a sometimes-hostile populace. Read the rest of this entry »
You do not owe the company any share of your peace of mind.